I tried to watch this once before, since I love Justin Long in Going the Distance, but this movie is so unpleasant and unfunny that a D+ feels generous. Still, I could kind of see what they were going for, and I didn't actually hate it. Ryan Eggold wrote and directed.
A pretentious writer takes a mind-altering drug and becomes even more insufferable. This is based on Alan Glynn's novel The Dark Fields and directed by Neil Burger.
Another story I don't want to watch, although I didn't dislike it instantly, like Like Dandelion Dust. This is based on the Kate Grenville novel and directed by Jerzy Domaradzki
The only things I liked about this movie were the scenery and the title, the latter because it made me think of the line "Ready to put my love on the line" in the Barry Manilow song from Foul Play. So now I'm listening to that on YouTube. As for this movie, David Hackl directed.
I found this uneven but at times adorable and/or funny. And some things were predictable (like everyone loving McCarthy's character), but others were not. (I thought she'd have a romance with her new professor/ old college friend, but he just says she's his favorite student.) Director Ben Falcone cowrote with McCarthy and he has a quick cute cameo as the Uber Driver.
I half considered seeing this movie at the time, but I'm glad I didn't. I've since seen enough of Heigl paired with obnoxious manboys for a lifetime. On the plus side, seeing McCarthy steal a scene makes me glad that she stars in the next movie for consideration, since even weak MMcC movies are of interest. Greg Berlanti directed this movie.
I didn't exactly like this movie but I thought it was interesting enough, in its protagonist and its setting, to watch until the end. I believe Rosamund Pike gave the best performance, as the long-suffering wife. Laurence Dunmore directed.
While a story about bored suburban teen skateboarders isn't really my thing, I will admit that the characterization and soft-punk soundtrack make this one of the better movies I've rejected lately. Clark Walker wrote and directed.
I was intrigued by the trailer for this at the time and then months ago when it popped up on some DVD, but the actual execution is kind of flat compared to the happy movie I expected. (Even the Italian scenery is surprisingly meh.) This is sort of based on the nonfiction book by Lise and Ceil Friedman. Gary Winick directed.
A teenage girl gets a crush on a musician, but this being turn of the century Vienna, she goes to the library and helps carry his carpet. Director Max Ophuls helped adapt the Stefan Zweig novella.
I watched the whole movie in the theater and I do recall listening to the Snicket commentary before, but this time, sigh. I'm sorry, I just can't get past Jim Carrey being annoying, and not in a way that enhances the movie. This is based, loosely, on the first three books in the Daniel Handler series (which I've read more than once), and directed by Brad Silberling.
I probably saw this as a kid but at first I was mixing it up with Sorrowful Jones, which I remember liking. Oh well. This is based on the Damon Runyon story, as it tells us. Sidney Lanfield and Frank Tashlin directed.
A potentially interesting story marred by consistently off line readings. This is based on the Michael Zadoorian novel and directed by Paolo Virzi. Trump is tagged because the movie is set in the summer of '16 and we hear him on the radio.
OK, so I liked this in the theater more than I liked The Lego Batman Movie, but today I gave up after half an hour. The magic of the first movie just isn't there. (That one I own and have watched a few times.) Mike Mitchell directed.
I really enjoyed the first Lego Movie, so I saw this in the theater and was disappointed. I would've gone with a C or C+ then. It's not any better at home. Chris McKay directed.
At least the scenery is kind of nice, so there's something to look at during some of the unrealistic emotions. This is based on the Jim Harrison novella and directed by Edward Zwick.
Tom Hardy is the Kray Twins. This is based on John Pearson's book The Profession of Violence, which director Brian Helgeland adapted into the screenplay.
Yet another indie where the protagonist's parent dies early on. I mean, yes, I'd rather watch this than an action film, but still. Ben Hickernell wrote and directed.
Not really my thing, but I did sort of like how everyone was so divided on Lawrence even after his death (which happens in the first quarter hour). David Lean directed.
L & H's last film, although not necessarily the last one for this project. There are four directors, most of them uncredited: Léo Joannon, John Berry, Alfred J. Goulding, and Tim Whelan.