Not bad for what it is, but Brando honestly doesn't have much charisma or energy here. Edward Dmytryk directed, thirteen years after Back to Bataan. This is based on the novel by Irwin Shaw.
The music is good but I didn't care about the story, and Crosby and Kaye have no chemistry. Michael Curtiz directed, and it's on a level with Life with Father.
The "romance" in this was both tedious and cringey, so I was actually waiting for them to get back to the war. Then there was a twist, so D+ rather than D or D-. This is based on Robb White's novel and directed by Gordon Douglas.
Even with Peter Lorre and a bit of sea life, I wasn't intrigued. I'm going with "historical drama" as the genre, since I tuned out before anything sci-fi, but this is an adaptation of Jules Verne. Richard Fleischer directed, so this is his sixth movie I've rejected in this project.
I didn't care about the story, but I could see how well made this was. Welles directed, played the police captain, and co-adapted Whit Masterson's novel Badge of Evil (emphasis mine).
I didn't care about the story, but I did like the look of this, especially the aerial shots. This is based on the novel by David Dodge. Director Hitchcock's cameo is on the bus, fairly early on.
Better than most Westerns, in that it actually adds a little depth to the (two) female characters. This is based on an Elmore Leonard short story, and directed by Delmer Daves.
Even though this is based on a real case, I couldn't help watching it as an unintentional commentary on the stifling life of a '50s housewife. Director Nunnally Johnson adapted the book by Corbett H. Thigpen and Hervey M. Cleckley.
Worse than some other World War II movies, because this one has a cheerfully misogynistic obstetrician, and a little boy hurling racist slurs. This is based on Agnes Newton Keith's memoir, and directed by Jean Negulesco, a couple years after Johnny Belinda.
Kind of boring, and I have to say that 43-year-old Tyrone Power, the year before he died, looks too old to play a young war veteran. Of course based on Hemingway, and directed by Henry King.
Contrived, and the "evil wife" is the most interesting character in the first quarter hour. Raymond Chandler, Ben Hecht, and others adapted the Patricia Highsmith novel. Hitchcock of course directed.
I've never actually watched any of the SIBs before. With this one, I'm just going to pretend that Judy marries the Tommy Noonan character and lives happily ever after. Cukor directed.
I'd heard of this movie, and heard some of its songs, for decades, but I don't think I actually tried to watch before today. And I hadn't missed much. Joshua Logan directed and co-adapted the stage production--which is in turn based on Michener's Tales of the South Pacific-- three years after Mister Roberts.
A sweet funny little story about old movies and old movie theatres, but with a dark undertone. I sort of hoped that the young couple would keep the cinema and start showing silents, too, since it's definitely the sort of place I would've liked to go. (A 99-cent-for-triple-features theater in the '90s is the closest experience I've had.) One thing I've learned in this project is that my tolerance for Peter Sellers is much lower than when I was young, but he does well playing an old man when he was actually 31. And Margaret Rutherford is as adorably dotty as ever. Basil Dearden directed.