The story is not only uninvolving but shockingly male-centered (Zeus, "mankind," etc.). Still, I kind of like the look of the movie. Patty Jenkins directed, fourteen years after Monster.
Romance with a werewolf is one thing, but I don't buy him auditing a college class like that. Mamoru Hosoda directed and co-wrote, between Summer Wars (which I liked) and The Boy and the Beast (which I didn't).
Not only unfunny and sometimes pointlessly frantic, but crawling with toxic masculinity (including lack of consent). However, the 3D animation isn't bad. Steve 'Spaz' Williams directed and co-wrote.
While there are things I like about this world, like the set designs and inventions, I just have never been able to get invested in the characters. Steve Box and Nick Park co-directed, and co-wrote with others.
I liked this movie at the time, although not as much as the Natalie Babbitt book (reviewed here https://rereadingeverybookiown.blogspot.com/search?q=tuck). This time, the changes from the book all served to weaken the story (and I only watched the first quarter hour). Jay Russell directed.
I'm not sure how to take this, since it's clearly amateurish, but maybe deliberately so. The scenery is lovely of course. André Øvredal wrote and directed, nine years before Scary Stories to Tell in the Dark.
The go-to example of how I don't like but generally don't hate Pixar. This is my third or fourth attempt at this movie, although this time I tuned out before I actually saw Buzz. John Lasseter directed and co-wrote.
I enjoyed the movie when I saw it in '83 or '84, finding it funny and profound. (My hippie aunt thought nothing of taking me and my same-age cousin to such a controversial film.) I subsequently read the Günter Grass novel once or twice. So I gave it over a half hour today, but I just couldn't get into it. Volker Schlöndorff directed and co-wrote.
Why are all the dogs white? Because this is set at Christmastime? Oh, and the dubbing is laughable but not entertaining exactly. Jesse Bagel wrote, directed, and voiced both "Arfamis" and "Barkos."
Bumped up a notch or two for the stealth romcom (with Chris O'Dowd and Kat Dennings as not-good-enough-date and filter-free friend of Natalie Portman) snuck into a run-of-the-mill mythic superhero movie. Alan Taylor directed
This is what I call a popcorn movie, nothing fancy, not particularly filling, but in its own way somewhat satisfying, even if some of it gets stuck in your teeth. I have to note that, like most movies that look nostalgically back at the late '80s (e.g. The Wedding Singer, Romy & Michele), the soundtrack is more early '80s, because pop music was better in the first half of that decade. Gary Winick directed, six years before the weaker Letters to Juliet.
While the casting of Helen Mirren as Prospera is novel, like most Shakespeare adaptations, it's not very good. Director Julie Taymor did the adaptation.