I didn't care about these couples. This is based on a couple of short stories by Andre Dubus, and directed by John Curran, fourteen years before Chappaquiddick.
I gave this half an hour, rooting for it to get better. But there's too much recycled plot and humor, some of the latter punch-down at that. My review of the original is here, https://reviewingeverymovieiown.blogspot.com/2015/02/waynes-world.html. Stephen Surjik directed this one.
Some movies make me say, "What?", but this one made me ask, "Why?" Because no one's motivation made any sense. Christopher McQuarrie wrote and directed.
This must've felt hokily old-fashioned even at the time, but I did like the fashions, live animals, and of course the "eccentric" aunt (who's probably a benign lesbian). Director D.W. Griffith co-adapted the play based on Lottie Blair Parker's novel.
The movie opens with Costner's character drinking his own urine and improves somewhat after that. Kevin Reynolds directed, eleven years before Tristan and Isolde.
This is one of those rare movies I enjoyed without actually liking any of the characters. They're funny, poignant, and believable. I'll admit this might've been a B- without the Scottish scenery and the music by the Waterboys, whose one-hit "The Whole of the Moon" is one of those songs I haven't thought of in decades but instantly remembered. Robert Jan Westdijk wrote and directed.
This presumably turns into a horror movie, since it's on a "Water Monsters" four-pack. (Anaconda skipped, so I'm skipping it. And the other two turned out to be TV-movies.) But the first quarter hour was about a young couple going on holiday with her sister. David Nerlich and Andrew Traucki co-directed and co-written.
I didn't think this worked as either horror or a kids' movie. This is based on the novel by Florence Engel Randall, and co-directed by John Hough and Vincent McEveety.
Definitely not my kind of movie, but I guess the one-take gimmick is worth something. Tristan Barr and Michael Gosden co-directed, and co-wrote with Chelsea Renee Zeller, while all three appear in the movie.
While I didn't enjoy this, it was nice to have random stuff like a high school Science lesson thrown in there. Gavin O'Connor directed and co-wrote, before The Accountant and Jane Got a Gun, but after Miracle.
I liked this more than I expected, especially the scenes set in Devon, although I don't think every thread works, and of course I was more interested in the horse than the war. This is based on the Michael Morpugo novel and directed by Steven Spielberg.
Yes, I've reviewed a couple other Planet of the Apes movies, but they're so far apart alphabetically, and I figure it's like the James Bond movies that I keep rejecting, since the amount of rejection varies. Matt Reeves directed and co-wrote, three years after Dawn of the Planet of the Apes.
A little stilted, and I'd forgotten what a jerk Prince Andrei is, especially to his wife. But the costumes and sets are nice. Sergey Bondarchuk directed, co-adapted the Tolstoy novel, and played Pierre.
While there are things I like about this world, like the set designs and inventions, I just have never been able to get invested in the characters. Steve Box and Nick Park co-directed, and co-wrote with others.
The glimpses of music were nice, but I didn't care about the story or its execution, not unlike the similarly highly praised Ray (which I gave a C-). Director James Mangold co-adapted a couple of Johnny Cash's autobiographies, between Kate & Leopold and Logan.
I was looking forward to this, in part because I've enjoyed the Bill Bryson books I've read (not yet this one). Unfortunately, the execution felt lacking, and if even Emma Thompson can't make me laugh, there's not much hope. Ken Kwapis directed, six years after He's Just Not That Into You, which was a more enjoyable nonfiction adaptation.
I saw this in the theater and enjoyed it, and it holds up pretty well at home a quarter century later. The story is slight and it's never hilarious, but I liked spending time in the tiny village with the gorgeous scenery and the oddball residents. Kirk Jones wrote and directed, seven years before Nanny McPhee.
I didn't really get this, but it was kind of interesting. Richard Linklater wrote and directed, before Before Sunset and Me and Orson Welles, which were of course live action.
The acting (especially by the actor playing the cheating husband) and the writing, with Terry McMillan helping to adapt her own novel, are both laughably bad, but at least the women are pretty and well-dressed. Forest Whitaker directed.
I wanted to give this at least a D+ because I sometimes like Justin Long, but no one in this movie is likable and/or funny. Rob McKittrick wrote and directed.
I honestly don't know the genre because nothing happened the first quarter hour but ironically I'll have to go with "Action"
DVD
C-
Nothing happens in the first quarter hour, except for drippy "clever" dialogue and overuse of the word "Congressman," but at least there's Peter Lorre training a shark, and Barbara Eden dancing to Frankie Avalon's trumpet. Irwin Allen directed and co-wrote.
Vortex: The Dawn of Sovereignty AKA Vortex, l'aube de la souveraineté
Studio Unknown
5 April 2021 [Internet]
Sci-Fi
DVD C-
I wasn't that into the story, but it was nice to see a mother-daughter relationship in this genre, for a change. Michel Rousseau wrote, directed, and stars.
My first (and probably only) Swiss movie in this project, this story of a child prodigy who's smart enough to fake his own cognitive decline doesn't work in every aspect (some of the characterization was unclear), but it's watchable throughout. Fredi M. Murer directed and co-wrote.