There are some cute moments, like with the garbled train announcements, but I didn't feel like this holiday was going anywhere after fifteen minutes. Jacques Tati co-wrote, directed, and stars.
I found this flatter and more simplistic than I expected from a "classic," although the theme of unfounded accusations was interesting and no doubt had political significance in early '30s Germany. Fritz Lang directed and, yes, it's a breakthrough role for Peter Lorre.
I wanted to see this movie at the time and I think it's a very interesting (true) story. Unfortunately it's not told in an interesting way here. Jeff Nichols wrote and directed.
I tried to watch this once before but it remains neither lovely nor amazing. Nicole Holofcener wrote and directed, four years before the much superior Friends with Money, which also has Keener.
I was leaning towards a D+ for this unfunny and unrealistic movie, and then Diane Keaton came in as a literally blind date who knocks over a bunch of glassware. Larry Miller co-wrote with director Dennis Dugan and one other person.
I had this on VHS long ago and for all I know might still. The thing is, the "best" thing about it, the kitsch, isn't worth the experience, and you're probably still better off reading the MAD parody. Anyway, this time watching the first quarter hour I thought, one, there's a difference between witty banter and an insult exchange, and two, that is way too much hockey. This is based on the Eric Segal book, which I think I did read at some point. Arthur Hiller directed.
While I recognize the good intentions of this, I don't know if it was the very upper-middle-class-trying-to-pass-itself-off-as-average feel or what (I mean, in one sequence the high school looks like an indoor mall!), but I personally didn't find this believable or relatable. And I say that as someone who was a closeted bisexual teen in the '80s. This movie is based on Becky Albertalli's novel Simon vs. The Homo Sapiens Agenda, which I read a couple years ago and might've given a C+. Greg Berlanti directed.
Goranson gives a remarkable performance as a woman torn between her responsibilities for her grown brother with special needs, and the possibility of romance with an adorkable guy. However, the film is difficult to watch at times, so I can't go higher on the grade. Adrienne Weiss directed.
I liked the Herbie movies as a kid but this just didn't grab me this time. It feels a bit bland, considering the setting of late '60s San Francisco. Robert Stevenson directed.
While I like things about this, especially the '90s soundtrack, I can't past the unlikability of Peet as the female protagonist, a big hurdle for a romcom. (And I have liked her in other movies.) Nigel Cole directed.
I liked this about equally with the silent version, although I only watched a quarter hour of this one and about forty minutes of the '20s movie. And Jill St. John was the best thing about this version. Director Irwin Allen helped adapt the book by Doyle.
I sort of liked the first movie when I saw it in the '90s on VHS, but I'm definitely not enough invested in the franchise to get into this one. Dario Piana directed.
For approximately 35 years, since I was dating my Tolkien-loving then-future-ex-husband, I have not been able to get into Lord of the Rings, in book or movie form, although I did see the '70s cartoon at the time and like The Hobbit as a book. Peter Jackson directed.
I read the William Golding novel in high school and it creeped me out, although I quit the movie today only a quarter hour in, when it was only mildly sinister. Peter Brook directed and wrote the screenplay.
Sports Comedy, Sports Drama, Crime Comedy, Crime Drama
DVD D+
Reynolds plays a very unsympathetic character, and the movie is about football in prison. Still, I think Bernadette Peters's hairdo and some other '70s trappings are worth a notch up from a D. Robert Aldrich directed.
Long John Silver AKA Long John Silver's Return to Treasure Island
Treasure Island Pictures
16 December 1954
Historical Drama
DVD C-
Newton is as vivid as ever as the title character, but the story isn't at his level. And, yeah, loosely based on Robert Louis Stevenson. Byron Haskin directed.
I was going to give this pretentious but stylish movie a D+, but the writer's block and stalking brought it further down. This is based on the Martin Amis novel and directed by Mathew Cullen.
With 15-year-old Loretta Young as the object of love for a count and her adoptive father, although I didn't get that far into the story. Herbert Brenon directed.
This is on a Lon Chaney collection. I'm not into silents, but I was mildly intrigued by the assassination committee and the love triangle. This is now easily the oldest movie so far on this project, since previously that was a couple movies from 1925. This one is based on Gouverneur Morris's novel The Purple Mask and directed by Wallace Worsley.
Apparently this changes from a depressing family drama to a psychological horror later, but I didn't care either way. Severin Fiala and Veronika Franz co-directed, and co-wrote with someone else.
I could see how this might be funny if it weren't so listless, but it almost felt like the listlessness was the point. Yorgos Lanthimos directed and co-wrote.
Not my thing, but yay, my first 2021 movie. (I haven't gone to a movie theater in like two years, even pre-Covid.) John Lee Hancock wrote and directed.
I guess this turns into a horror movie or something later, but it felt like a depopulated Downton Abbey episode. This is based on the Sarah Waters novel and directed by Lenny Abrahamson.
This remains a very strange film, even knowing the backstory. From the young Jack Nicholson cameo to the very New-Yorky-looking Los Angeles to the comedy style (including the obvious Dragnet parody), it is definitely unsettling, and that's not even getting into the hungry plant. I wouldn't say this is a great film, but it is certainly entertaining, and at times even sweet. Roger Corman directed and co-wrote.
This is one of the most offensive, unfunny comedies I've ever seen, and it makes me greater appreciate the South Park movie of the previous year, which covered some of the same territory but had genuine laughs. Sandler plays the title character and co-wrote with director Steve Brill and one other person who I am refraining from shaming here in hopes that he wrote the Namath joke that almost single-handedly saved this from an F.
Wildly implausible dialogue derails this quickly. Like the famous Disney cartoon, this is based loosely on H.C. Andersen. Blake Harris and Chris Bouchard co-directed, and Harris wrote the screenplay.
Even though I've seen this movie once or twice before, I was on the fence the entire viewing this time. Yes, the songs are catchy and some of the voicework is good, but I don't know if I really liked the characters or cared about the conflicts. This is based loosely on the Hans Christian Andersen tale. Ron Clements and John Musker co-directed, as well as co-wrote with many.