Both heartwarming and heartbreaking, this honestly would be a C+ or B- without Bob as himself. Without doing anything un-catlike or anthropomorphized, he offers his viewpoint and is both wise and adorable. The human acting is pretty good, too, although there are some faults in the writing that might be due to the adaptation of the based-on-real-life book. Roger Spottiswoode directed, thirty years after The Best of Times.
Contrived, and the "evil wife" is the most interesting character in the first quarter hour. Raymond Chandler, Ben Hecht, and others adapted the Patricia Highsmith novel. Hitchcock of course directed.
Incredibly repellent, but on the bright side it made me appreciate the Y2K New Year's party I went to. Kathryn Bigelow directed, between Point Break and Detroit, which are better but still not good.
This is bumped up a notch for quasi-nostalgia, in that I remember the McKenzie Brothers although I wasn't a fan, but it takes me back to that time, mostly pleasantly. Dave Thomas and Rick Moranis not only co-star but co-wrote and even co-directed.
Subpar in every category, even costumes, making Milk look even better in comparison. Roland Emmerich directed, the year before Independence Day: Resurgence.
I've watched this once or twice before, but, other than the very catchy "Entertainer" theme, it never stays with me. George Roy Hill directed, four years after he directed Newman and Redford as Butch and Sundance.
Although I wasn't interested in the story, I thought Damon did a nice job of being submerged in his character. Tom McCarthy directed and co-wrote, eighteen years after The Station Agent, which, yes, I recently watched and liked.
I've of course heard of this movie since the time but never actually watched any of it before. Today I was more interested in the houses than the characters. Herbert Ross directed, after Play It Again, Sam and Footloose.
I of course saw this at the time and a few times since, as well as three or four of the later movies. But I never really got into the franchise. This time, nostalgia for R2D2 aside, I didn't really find much to entertain me in the first quarter hour. Lucas wrote and directed.
I was never into any of the versions of Star Trek, although I probably watched a few episodes of the original series in syndication when I was a kid. Anyway, I was either bored or thinking What? Why? with this today. Robert Wise directed, about eleven years after Star!, the last Wise movie I reviewed.
I've never actually watched any of the SIBs before. With this one, I'm just going to pretend that Judy marries the Tommy Noonan character and lives happily ever after. Cukor directed.
This seems well-made-- the pseudo-documentary style is arguably much smoother than in Star!-- but it's hard to watch such a despicable main character. (Stratten seems like a supporting character in the first quarter hour.) Bob Fosse wrote and directed.
The music isn't that memorable and the structure is choppy, so even Andrews's charisma can go only so far. Robert Wise directed, in the midst of a busy career, including the superior Sound of Music.
If this was just a movie about Brendan Fraser living in Belfast, I'd enjoy it more. Terry George directed and co-wrote, after Hotel Rwanda and Reservation Road.
I'd of course heard of this movie since the time but never had much interest in it. I will say I like the setting, but I didn't care about the story. This is based on the Stephen King novella The Body, and directed by Rob Reiner.
I was never a Laurel & Hardy fan, but Coogan and Reilly do a decent job portraying them I guess. This is inspired by A.J. Marriot's book Laurel and Hardy: The British Tours and directed by Jon S. Baird.
Not just boring but so forgettable I had to replay several minutes of the movie when I went back to it after a few hours, because I couldn't remember what happened, and it's the same dreary lighting throughout. This is based on the book by Ilya Tilkin, and directed by Fedor Bondarchuk.
I was of course aware of this movie at the time (and that the critics hated it), but I was a Gen-Xer who avoided Brat Pack movies. Turns out...it's about unrealistic and in some cases unpleasant characters. Joel Schumacher directed and co-wrote, before Phone Booth etc.